ROBERT & SHANA PARKEHARRISON
Education
RPH
1994
MFA University of New Mexico
1990
BFA Kansas City Art Institute
SPH
1991-94
Graduate Studies University of New Mexico
1986
BFA William Woods College
Selected Solo Exhibitions
2023
ParkeHarrison: Earth Elegies, Windgate Center of Art and Design, University of Arkansas Little Rock
Open Your Eyes Festival, Zurich, Switzerland
2021
La Ville de Fougères, the Galerie d’art Albert Bourgeois, Fougères,France
Acts Without Words, Catherine Edelman Gallery, Chicago, IL.
2018
AloneTogether, Slete Gallery, Culver City, CA.
2016
Robert & Shana ParkeHarrison, The Center for Photography at Woodstock, Woodstock, NY.
Photo Collages, Slete Gallery, Culver City, CA.
Precipice, Catherine Edelman Gallery, Chicago, IL.
2014
Gautier’s Dream, Catherine Edelman Gallery, Chicago, IL.
Crossing: Robert and Shana ParkeHarrison, Slete Gallery, Venice, CA
Excerpts from Architects Brother, Slete Gallery, Paris Photo LA.
Selections from Architect’s Brother, Trinity University, San Antonio, Tx
2013
Measuring the Sky, Suzanne TaraSieve Gallery, Paris
WALL AT WAM, Long term Mural installation, Worcester Art Museum, Worcester, MA
Selections from Gray Dawn, Southwest School of Art, San Antonio, Tx.
2012
The Architect’s Brother: Photogravures by Robert and Shana ParkeHarrison,
Art Academy of Cincinnati, OH
2011
Selections from The Architect’s Brother, Jack Shainman
Gallery, New York, NY.
2010
Beginnings, Catherine Edelman gallery, Chicago, Il.
Selections from the Counterpoint Series, David Floria Gallery,
Aspen, CO.
2009
Selections from the Counterpoint Series, Jackson Fine Art,
Atlanta, GA.
2008
Counterpoint, Jack Shainman Gallery, New York, NY.
RESTORATION: Robert and Shana ParkeHarrison,
Nelson-Atkins Museum of Art, Kansas City, MO.
2007
Gray Dawn,Catherine Edelman Gallery, Chicago, IL.
2005
Recent Works, Sirius Art Center, Cobh, County Cork, Ireland
Recent Works, Gallery of Photography, Dublin, Ireland
Recent Works, Marion Center for the Arts, College of Santa Fe,
Santa Fe, NM.
2004
Recent Works, Elizabeth Leach Gallery, Portland, OR
Procession, OBSOLETE, Venice, CA.
Procession, Bernard Toale Gallery, Boston, MA.
Current Works, San Francisco Art Institute’s McBeanGallery, San Francisco, CA
New Images, Catherine Edelman Gallery, Chicago, IL
2003
The Sentinels, Bonni Benrubi Gallery, New York, NY.
2000
Earth Elegies, Bonni Benrubi Gallery, New York, NY
1999
Promisedland, Robert Koch Gallery, San Francisco, CA
Promisedland, Richard Levy Gallery, Albuquerque, NM
Industrialscapes, Robert Koch Gallery, San Francisco, CA
Traveling Solo Exhibition "The Architect’s Brother"
Baum Gallery of Fine Art, University of Central Arkansas, Conway, AR
Eleanor D. Wilson Museum, Hollins University, Roanoke, VA
Sheldon Art Gallery, University of Nebraska, Lincoln, NE
Mary Brogan Museum of Art and Science, Tallahassee, FL
2006
Herbert Johnson Museum of Art, Cornell University, Ithaca, NY
Figge Museum of Art, Davenport, IA
2005
University of Wyoming Museum of Art, Laramie, WY
University of New Mexico Art Museum, Albuquerque, NM
Mois de la Photographie, Montreal, Canada
2004
Museum of Photographic Arts, San Diego, CA
Galerie im Stadtmuseum, Jena, Germany
DeCordova Museum, Lincoln, MA
2002
George Eastman House, International Museum of Photography and Film, Rochester, NY. Curated by Therese Mulligan, Ph.D.
Group Exhibitions
2023
The Moon is a Lantern, Lisa Sette Gallery, Phoenix, AZ Oct 2023-Jan 2024.
Hot Off the Press, Patton-Malott Gallery, Anderson Ranch Center for the Arts, Snowmass, CO.
Shades of Compassion, Headley Whitney Museum, Lexington, KY.
2020
Photography & _____ Multiple artist collaborations, Catherine Edelman Gallery, Chicago, IL
Ornithology: Patterns in Flight Gallery Bergen, Bergen Community College, Paramus, NJ.
2019
Festival La Gacily-Baden Photo, Baden, Austria
2018
Festival La Gacilly Photo, La Gacilly, France
Angkor Photo Festival, One Eleven Gallery, Siem Reap, Cambodia
UNVERIFIED, UNF Gallery at MOCA, Jacksonville, FL.
2017
PhotoLondon, Catherine Edelman Gallery,, London UK.
2016
Stories from the Camera: Reflections on Photography, curated by Michele Penhall,
University of New Mexico Art Museum, Albuquerque, NM.
Past / Present / Future: ArtPrize Eight, Grand Rapids Art Museum, Grand Rapids, MI.
Art Festival Watou, “On the Strength of Empathy,” Watou, Belgium.
Winter in America, The School / Jack Shainman Gallery, Kinderhook, NY.
2015
Paris Photo Fair, La Galerie Particulière Paris, France,
The Sculptor's Eye: Prints, Drawings, and Photographs from the Collection, DeCordova Sculpture Park and Museum, Lincoln, MA.
Constructeurs d’absurde Bricoleurs d’utopie, Abbaye Saint André - Centre d'art contemporain, Meymac,France.
2014
Darmstadter Tage der Fotografie, Reflexion – Asthetishe Referenzen, Germany.
Body Language, Albany International Airport Gallery, Albany, NY.
Heavenly Bodies, Sanata Barbara Museum of Art, Santa Barbara, CA.
2013
What I Was Thinking: 25th Anniversary Exhibition, Catherine Edelman Gallery, Chicago, IL.
Ego Eco: Environmental Art for Collective Consciousness, Nicholas and Lee Begovich Gallery, California State University, Fullerton, CA.
Lies that Tell the Truth: Magical Realism in Contemporary Art, Indiana State University,Terre Haute,
IN.
L' Objet-Nuage, Musée Réattu, the Museum of Modern and Contemporary Art of the City of Arles,
France.
2012
Mediations Biennale 2012, Poznan, Poland,
Lille 3000, Lille, France
Performing for the Camera, Arizona State University Museum,
Tempe, Arizona
By Way of these Eyes: The Hyland Collection, American Museum, Bath, UK.
2011
MONDES INVENTÉS, MONDES HABITÉS (Invented Worlds, Inhabited Worlds) Mudam Luxembourg - MusÉe d’Art Moderne Grand-Duc Jean
Second Space Opening, Galeries Suzanne Tarasieve, Paris, France.
Cloudscapes: Photographs from the Collections New Mexico Museum of Art, Dallas, TX.
Image That! Museum of Photographic Arts, San Diego, CA.
2010
Proof, Catherine Edelman Gallery, Chicago, IL.
Familiar Bodies, Carroll and Sons, Boston, MA.
Couples, Ferrin Gallery, Pittsfield, MA.
Thinking Photography: Five Decades at the Kansas City Art Institute, Nelso-Atkins Museum of Art, Kansas City, MO.
Artist as Performer, Houston Center for Photography, Houston, TX.
Magnificent Gifts for the 75th Anniversary Collecting Initiative, The Nelson-Atkins Museum of Art, Kansas City, MO.
The Missing Peace, Nobel Museum, Stockholm, Sweden
The Missing Peace, Brukenthal Palace Museum, Sibiu, Romania
Art/ Not Art, George Eastman House International Museum of Photography and Film, Rochester, NY.
2009
The Missing Peace, Fundacion Canal, Madrid, Spain
The Missing Peace, Frost Art Museum, Miami, FL.
Beyond Appearances, Lehman College Art Gallery, Bronx, NY.
Clouds in Photography, Musée Malraux (Le Havre fine arts museum)France
Imaging a Shattering Earth: Contemporary Photography and the Environmental Debate, Brunnier Art Museum, Iowa State University, Ames, IA
2008
A Mind at Play, Art Institute of Chicago, Chicago, IL.
Working man, Analix Forever, Geneva, Switzerland
The Missing Peace: Artists Consider the Dalai Lama,
Tokyo, Japan.
2007
C Photo, Phillips de Pury, New York City, NY.
Contemporary COOL and Collected, The Mint Museums,
Charlotte, NC.
The Missing Peace: Artists Consider the Dalai Lama Rubin Museum of Art, New York, NY, Yerba Buena Center for the Arts, San Francisco, CA.
Emory Visual Arts Gallery, Atlanta, GA.
Envisioning Change, Nobel Peace Center, Oslo, Norway and
Bozar, Palace of Fine Arts, Brussels, Belgium
Flight of Fancy, Museum of Fine Arts, Santa Fe, NM
Opening Exhibition, Nerman Museum of Contemporary Art,
Johnson County, KS.
Imaging a Shattering Earth: Contemporary Photography and the Environmental Debate, Canadian Museum of Contemporary Photography, Ottawa, Dalhousie Art Gallery, Halifax, Nova Scotia
A New Reality: Black and White Photography in Contemporary Art, Jane Voorhees Zimmerli Art Museum, New Brunswick, NJ.
Mockumentaries, Winston Wachter Fine Art, New York, NY.
2006
C on Cities, Venice Biennale of Architecture, Venice, IT.
The Missing Peace: Artists Consider the Dalai Lama
Fowler Museum of Cultural History, UCLA, Los Angeles, CA, Loyola University Museum of Art, Chicago, IL
Seeing the Light, Carl Solway Gallery, Cincinnati, OH
Hand in Hand: Domestic and Creative Partnerships in the Digital Age, Minneapolis Center for Photography, Minneapolis, MN
Imaging a Shattering Earth: Contemporary Photography and the Environmental Debate, CONTACT, Toronto Photography Festival, Toronto, BC.
2005
Landscape, Whitney Museum of American Art, New York, NY.
Dreamscapes, John Michael Kohler Arts Center
Imaging a Shattering Earth: Contemporary Photography and the Environmental Debate, Meadow Brook Art Gallery, Oakland University, Rochester, Michigan.
2004
57 on 57th, Bonni Benrubi Gallery, New York, NY.
Deamweavers, Yancey Richardson Gallery, New York, NY
Group Show, Northlight Gallery, Arizona State University,Tempe, AZ.
Portrait of the Art World: A Century of ARTnews Photographs, Museum of Fine Arts, Santa Fe, NM
Silver Images: The Photography Collection at 25, Chrysler Museum of Art Norfolk, VA
2003
L’artiste mis en scene, La Galerie Filles de Calvaire, Brussels, Belgium
Role Play in Self-Portrait Photography, Zabriskie Gallery, New York, NY
Portrait of the Art World: A Century of ARTnews Photographs, The Smithsonian Institute, Washington DC
Defying Gravity: Contemporary Art and Flight, North Carolina Museum of Art, Raleigh, NC
2002
Zen and the Art of Photography, Bonni Benrubi Gallery, New York, NY
Recent Acquisitions, Whitney Museum of American Art, New York, NY
Portrait of the Art World: A Century of ARTnews Photographs, the New York Historical Society, NY
New Acquisitions/ New Work/ New Directions 3: Contemporary Selections, Los Angeles County Museum of Art, Los Angeles CA
2001
Crafted Image: 19th Century Techniques in Contemporary Photography, Boston University Art Gallery, Boston, MA
The Alchemy of Light, Cumberland Gallery, Nashille, TN
Re-Thought and Re-Seen: 21st Century Photographers/19th Century Processes, University of Missouri, Kansas City, Kansas City, MO
2000
Photograph & Monograph, Bonni Benrubi Gallery, New York, NY
Expanded Vision: Highlights from the Permanent Collection, Museum of Photographic Arts, San Diego, CA
American Photography: Recent Additions to the Hallmark
Photographic Collection, Nelson Atkins Art Museum, Kansas City, MO
Celebrating Contemporary Art in New England: Recent Acquisitions, DeCordova Museum , Lincoln, MA
Self Developed, Eyre Moore Gallery, Seattle, WA
More Than One: Prints and Portfolios From Center Street Studio, University of Massachusetts, Dartmouth, MA
1999
Taken from Nature, The Art Gallery of Petersborough, Peterborough, Ontario
Idea Photographic: New Mexico, 516 ArtSpace, Albuquerque, NM
The 3rd Tokyo International Photo-Biennale: Fragments of Document and Memory, Tokyo Metropolitan Museum of Photography, Tokyo, Japan
DeCordova Annual Exhibition, DeCordova Museum and Sculpture Park, Lincoln, MA
New Voices/New Visions, University Art Center, University of California, San Diego, San Diego, CA
Three Generations, Spiva Art Center, Joplin, MO
1998
More Than One: Prints and Portfolios From Center Street Studio, Marsh Art Gallery, University of Richmond, VA
Telling Stories: Narrative Impulses in Contemporary American Photography, George Eastman House, International Museum of Photography and Film, Rochester,NY
1997
Current Fictions: Work By Emerging Artists, Museum of Photographic Arts, San Diego,CA
1996
Contemporary New Mexico Artists: Sketches and Schemas, SITE Santa Fe, Santa Fe, NM and University of Nebraska,Lincoln, NE
Pushing Image Paradigms, Portland Institute for Contemporary Art, Portland, OR
Special Projects
2021
Cinematographers for BODYSONNET’s BlueVice video.
Cinematographers for BODYSONNET's New Wave video.
Cinematographers for MZPH's The Mount video.
2017-2019
Collaboration with Prometheus Dance Company, performances at Walnut Hill School for the Arts.
2015
Collaboration with the visuals and theatrical theme for the WOW (World of Wearable Art) performance - Participate as guest jurors, Wellington, New Zealand.
http://worldofwearableart.com/about/
Invited to participate on a panel for the Creative Industries WOW Designer’s Day experience, held at Roxy Cinema, Wellington, New Zealand
Grants, Fellowships, and Awards
2013
Artist in residence, Anderson Ranch Artist Center, Snowmass, CO.
2007
Nancy Graves Foundation, Artist Grant
2003
Peter Reed Foundation, Artist Grant
2001, 1996
Artist Grant in Photography, Massachusetts Cultural Council, Boston, MA
2000
Monograph, The Architect’s Brother, Twin palms Publishers, named one of “ten Best Photography Books of the Year” by New York Times.
1999
John Simon Guggenheim Memorial Foundation Fellowship, New York, NY
Award of Nippon Polaroid Kabushiki Kaisha, Tokyo Metropolitan Foundation for History and Culture, Tokyo Metropolitan Museum of Photography, Tokyo, JP
1997
Aaron Siskind Foundation Fellowship, School of Visual Arts, New York, NY
2007,2001,1999,1997
Research and Publications Grant, College of the Holy Cross, Worcester, MA
1994-1995
Roswell Museum and Art Center Artist-In-Residence Grant, Roswell, NM
Collections
Mudam Luxembourg - MusÉe d’Art Moderne Grand-Duc Jean
Los Angeles County Museum, Los Angeles, CA
Tang Teaching Museum and Art gallery, Saratoga Springs, NY
Whitney Museum of American Art, New York, NY
National Museum of American Art, Washington D.C.
Cleveland Museum of Art, Cleveland,OH
Museum of Fine Arts, Boston, MA
Museum of Photographic Arts, San Diego, CA
Houston Museum of Fine Arts, Houston, TX
Nelson-Atkins Museum, Kansas City, MO
Nerman Museum of Contempoary Art, Johnson County, KS
Galerie im Stadtmuseum, Jena, Germany
The Chrysler Museum, Norfolk, VA
George Eastman House, International Museum of Photography and Film,
Decordova Museum and Sculpture Park, Lincoln, MA
Santa Barbara Museum of Art, Santa Barbara, CA
The Hallmark Fine Art Collection, Hallmark Cards Corp, Kansas City, MO
Microsoft Corporation, Redmond, WA
The John D. & Catherine T. MacArthur Foundation, Chicago, Il
Rhode Island School of Design Art Museum, Providence, RI
Vassar College, Frances Lehman LOEB Art Center, Poughkeepsie, NY
Photographic Resource Center, Boston, MA
Williams College Museum of Art, Williamstown, MA
Middlebury College Museum of Art, Middlebury, VT.
Figge Museum of Art, Davenport, IA
Worcester Art Museum, Worcester, MA
Fried, Frank, Harris, Shriver, Jacobson Attorneys at Law, New York, NY
New York Public Library, New York, NY
Fogg Art Museum, Harvard University, Cambridge, MA
The Joseph and Elaine Monsen Collection, Seattle, WA
Tweed Museum, Duluth, MN
Progressive Corporation, Cleveland, OH
Anderson Museum of Contemporary Art, Roswell, NM
Luminos Photography Corporation, Yonkers, NY
McNeese State University Art Museum, Lake Charles, LA
Agfa Division, Bayer Corporation, Ridgefield Park, NJ
Lectures
Arnulf Rainer Museum, Baden Austria, Galerie im Stadtmuseum, Jena; Sirius Art Center,University of New Mexico, Cornell University, Pacific Northwest College of Art and Oregon College of Art and Craft; Cronin Lecture, Decordova Museum; Worcester Art Museum; University of Wyoming; Spiva Center for the Arts; College of Santa Fe; Ryerson University; Marlboro College; Williams College; Harvard University's Fogg Museum; Massachusetts College of Art; Progressive Corporation; Cleveland Museum of Art's Friends of Photography; International Center for Photography; Museum of Photographic Arts; Nelson-Atkins Museum of Art; George Eastman House International Museum of Photography and Film; Kansas City Art Institute; Rochester Institute of Technology; Simon's Rock College; Utah State University; Society for Photographic Education National Conference; San Francisco Photo Alliance; SFMOMA Foto Forum; SUNY New Paltz, Maryland Institute College of Art, University of Arizona, University of Kentucky, Figge Museum, Sheldon Art Gallery, Interlochen Arts Academy, University of Michigan, Wheaton College, Phoenix Art Museum, Southwest regional Society for Photographic Education, Santa Fe, Trinity University, San Antonio, University Minnesota, Duluth, Tweed Art Museum, Middlebury College, The College of New Jersey, Colorado College, Middlebury College, SPE Waco Texas, Utah State Univeristy, Greenfield Community College.
Teaching
RPH
2011- present Skidmore College, Saratoga Springs, NY
1995-2011 College of the Holy Cross, Worcester, MA
RPH-SPH
2023 Maine Media Workshops, Rockport, ME.
2009-2021 Anderson ranch Arts Center, Snowmass, CO
Faculty for Photography intensives
2004 San Francisco Art Institute, San Francisco, CA
Guest faculty for Winter Term.
Monographs
2008
Counterpoint, Published by Twin Palms Publishers, Santa Fe
2005
Book of Life: Photography of Robert and Shana ParkeHarrison.
John Wood, editor, poems by Morrie Creech, Published by 21st,
The Journal of Contemporary Photography
2004
Listening to the Earth, photography by Robert ParkeHarrison
John Wood, editor, poems by Morrie Creech, Published by 21st,
The Journal of Contemporary Photography
2000-2011 multiple editions
The Architect's Brother, Robert and Shana ParkeHarrison
essay by W.S. Merwin, Published by Twin Palms/Twelve Trees Press
Bibliography
Michele M. Penhall, Edited, Lone Grave, Stories from the Camera, University of New Mexico Press, 2016.
Plethora Magazine, 2015.
Black Forest: Four Visible Poems Edited by Russell Joslin, Candela Books, 2014, Richmond, VA.
Darmstadter Tage der Fotografie, Reflexion – Asthetishe Referenzen, Germany. Exhibition catalog
Michael Weinstein, Review: Robert and Shana ParkeHarrison/Catherine Edelman Gallery, New City art: Reviews, Profiles and News about Art in Chicago, April 4, 2014.
Exhibition Catalog, Ego Eco: Environmental Art for Collective Consciousness, California State University, Fullerton, Published by Nicholas and Lee Begovich Gallery and Grand Central Press.
Susan Stoops, Gallery Publication for WALL At WAM, Worcester Art Museum.
Exhibition Catalog, L' Objet-Nuage, Musée Réattu, the Museum of Modern and Contemporary Art of the City of Arles, France.
Steven Brown, Earth Perfect?: Nature, Utopia and the Garden, Black Dog Publishing, London UK, 2012, (pgs. 110-115).
Jessica Schreibstein, Surreal Scenes Make Big Environmental Statements, The picture Show, National Public Radio Website, April, 2011
Jonathan Stead, “The Architect’s Brother: Jonathan Stead on an intriguing series by Robert and Shana ParkeHarrison,” AG: The International Journal of Photographic Art & Practice, Spring 2011/#63
Corey Dzenko, “Everyman’s Actions: The White Male Body in Performance Photographs,” Athanor XXVIII (A Project Publication of the Museum of Fine Arts Press, Florida State University of Art History).
Michael Dee, “Soker vagen till framtiden,” FOTO Magazine, Nr.2/2011
Stewart Oksenhorn, Art, Three ways: Artists Contemplate Man, Nature and Technology, The
Aspen Times.
David Whitman, “Dans L’atelier de Robert and Shana ParkeHarrison”
Canopée, Nature & Découvertes, March 2010.
Carol McCusker, “Future ImPerfect”, Color Magazine, 2009
Ann Landi, Review, Artnews, (May 2009)
Diane S. Hope, “Reporting the Future” Visual Communication Quarterly, Vol.16 #1, Routledge
Taylor and Francis Group Publishing (Jan.-Mar.2009)
Artist Portfolio, The Georgia Review, Summer 2009
Artist Portfolio, Horizons, Ivory Press, London, 2008
Artist Portfolio, A Magazine curated by Chris Van Assche, Nr. 7
Artist Portfolio in connection with Die Macht, die uns lenkt, GEO kompakt, nr.15, 2008
Artist Portfolio, C Photography Magazine, 5th edition, 2007
Robert Shuster, “The Icon’s Icon,” Village Voice, Julu 31, 2007
Alan Artner, “Two Artists Click with Collaborative Photos,”Chicago Tribune, May 18, 2007.
"Art in Action: Nature, Creativity and Our Collective Future,"
New World Museum, Earth Aware Editions, 2007
“The Missing Peace: Artists and the Dalai Lama,” forward by H.H.the Dalai Lama, Earth Aware
Editions, 2006
Artist Portfolio, and interview Zoom Magazine,January, 2007
Artist Portfolio, C Photography Magazine, 2nd edition, 2006
"Drawing from Life: The Journal as Art," Jennifer New, Princeton Architectural Press, 2005
"The Art of Collecting Photography," Laura Noble, AVA Publishing, 2006.
Artist Portfolio, Le Monde, January 2005, page 12 of Diplomatique, “ L’alibi politique des utopias technologiques”
Artist Portfolio, GEO magazine, December, 2004.
Christine Temin, “He’s Out to Save a World of his Own Making,” Boston Globe, September 19, 2004.
Erik Stephan, Robert and Shana ParkeHarrison, Exhibition catalog, For The Architect’s Brother, Galerie im Stadtmuseum, Jena. 2004
Donald Kuspit, “The Art of Being Seen: Artist’s Self-Portraits,” Art New England, April 2004.
Jason Houston and David Whitman, Balancing Act, Orion Magazine, January/February, 2004.
Roswitha Salzberger, "The Architect’s Brother,” PhotoNews: Zeitung Fur Fotografie, October 2003.
Diana Gaston, "Review: Robert ParkeHarrison at George Eastman House," Art in America, January 2003.
Wolinski, Natacha, "Sur La Terre Comme Au Ciel,” Beaux Arts Magazine, February 2003.
Sylvia Wolf, "Visions from America: Photographs from the Whitney Museum of American Art", 1940 - 2002, Prestal Books, 2002.
Bibliography (continued)
William F. Stapp, "Portrait of the Art World: A Century of ARTnews Photographs,” Yale University Press, 2002.
Mary Warner Marien, "Photography: A Cultural History,” Harry N. Abrams Inc. Publishing, 2002.
Bruno Masi, "ParkeHarrison Monde A Part," Liberation, December 15, 2002.
Sarah Boxer, "Following A Shifting Gaze As Portraiture Evolves,” Photography Review, The New York Times, November 22, 2002.
Andy Grundberg, "Photography Book review," The New York Times, December 3, 2000.
Orion: People & Nature, "Trash," Autumn 2000.
Vicki Goldberg, "Everyman Tries to Save the Earth, One Image at a Time,” The New York Times, February 4, 2000. (Review: Earth Elegies exhibition).
Sylvain Campeau, "Ecophile," CV Photo, Issue #49, Winter 1999.
Arthur Ollman, catalogue essay from Fragments of Document and Memory, The 3rd Tokyo International Photo-Biennale.
David Clemmer, "Critical Reflections," THE Magazine, April/May 1999.
T.D. Mobley-Martinez, "The Wizard of Pause," Albuquerque Tribune, March 12,1999
Wesley Pulkka, "Review, " Albuquerque Journal, March 14, 1999.
John Wood, "A Grand and Solitary Epic," 21st: The Journal of Contemporary Photography, Volume two, 1999.
Peggy Amison, Photo Metro, July 1998, (Interview).
Bensley, Lis, Santa Fe New Mexican, April 18-24, 1997, (Interview).
Diane Armitage, "Review," THE Magazine, September 1996.
Edmunds, Kristy, Pushing Image Paradigms, 1996, (Exhibition Catalogue).
Contemporary Art in New Mexico, Adlmann, Jan Ernst with Barbara McIntyre, 1996,
Van De Walle, Mark, "Aperto," Flash Art, Summer 1995, pp. 78-79.
Adlmann, Jan Ernst, "An Impresario of Dreams," Roswell Museum, May 1995, (Exhibition Catalog).
Van De Walle, Mark, Artforum, March 1995, pp. 95-96, (Review).
Adlmann, Jan Ernst, "Report from Santa Fe: Going Mainstream," Art in America, Jan. 1995, pg. 52.
Van De Walle, Mark, "Critical Reflections: Cardboard Sky", THE
Magazine,January,February1995(Review)
Image Use (The Flying Lesson) Album Cover for the Gloaming, Real World Records, 2016.
Image Use (Mourning Cloak II and Gray Dawn) Program for Paris Opera’s production of La Damnation de Faust, 2016
Image Use (Various) in collaboration with WOW The World of Wearable Art, Wellington, NZ, 2015
Image Use (Passage) Album Cover, Debut Album for The Gloaming, Real World Records, 2015
Image Use (The Navigator) Album Cover, Land Ho by The Forest Rangers.
Image Use (Overflow) Book Cover, The Unloved by Deborah Levy, Bloombury Publishing Inc.,
2014.
Image Use, Film: The Secret Service, 2015 20th Century Fox, directed by Matthew Vaughn.
Image Use (Forestbed 1998) Book Cover, The Search for Heinrich Schlogel by Martha Baillie, published by Pedlar Press, Canada, 2014.
Image Use, cover, Cognitive Function in Patients with Cerebral Small Vessel Disease: A Study on
Vascular and Brain Imaging Markers by Marjolein Huijts, 2014.
Image Use, cover for “Indigo” by Clemens J. Setz, Suhrkamp, (Roman) 2013.
Image Use, for the article, “Gardening Beyond Reason,” by Darren Fleet in the journal UTNE
Reader, Nov./Dec.2012 issue.
Image Use, cover for “Indigo” by Clemens J. Setz, Suhrkamp, 2012.
Image Use, GEOkompakt Nr.32, 2012
Image Use, ( Year long promotional campaign) Le Cirque-Théâtre d'Elbeuf , Haute-Normandie, France 2012
Image Use, cover for “Swing Low” by Miriam Toews. 2012
Image Use, cover for “The Politics of Knives” by Jonathan Ball
Image Use, image for article, GeoKompakt, 2012
Image Use, Theatrical Production Advertising, Theatrical Group EN, 2012
Image Use, Book cover for “INFIGO by Clemens Setz, 2012
Image Use, Book cover for, “ Zeesla en de lepeds van Alice” by Kador Abdolah, 2012.
Image Use, book cover “Perpetual Motion” by Marilyn McCabe 2011
Image Use, Book cover, “Le Calme Retrouve” by Tim Parks 2011
Image Use, Book Cover, “Beautiful Losers” by Leonard Cohen, 2011
Image Use, Book cover, “O Filho de mil Homens” by Valter Hugo Mae 2011
Image Use, Book cover, “Conjunctions” Literary Journal 2011.
Image Use, Book cover, “ L’Homme Sans Passe: Freud et la Tragedie Historique” by Therese Delpech.
Image Use, (cover image) Ghosts with No Maps, Albawtaka Review’s Anthology, 2011, Albawtaka
Publishing House
Image Use, GEO kompakt Nr. 26 journal. 2011
Image Use, ARTFORUM Magazine, Ad for exhibition, 2/2011.
Image Use, Cover Image, CONJUNCTIONS:56 Terra Incognita: The Voyage Issue, Spring 2011
Image Use, Robert Hirsch, Exploring Color Photography: From Film to Pixels, Focal Press.
Image Use, book cover, “A Journey Round My Skull by Frygies Karinthy, 2010
Image Use, Film: Dinner with Schmucks, Dream Works, 2010, Directed by Jay Roach.
Image Use, Film: Date Night, 20th Century Fox, 2010, Direced by Shawn Levy.
Image Use, Article for Le Monde Diplomatique
Image Use, book cover Clockfire by Jonathan Ball, 2010.
Image Use, Fahrenheit: arte Contempor’aneo, N’um 41, 2010.
Image Use, (Cover Image) Orion Magazine, May / June 2010.
Image Use, book cover. “L’appel de l’Ombre-Puissance de l’irrationnel” by Therese Delpech.
Image Use, (cover Image) Stradda: le magazine de la cr’eation hors les murs, Avril 2010.
Image use, book cover, “la Muette” by Bruno Wajskop, 2010
Image Use, Harper’s Magazine, February 2010.
Image Use, Hayden’s Ferry Review, Issue 46, Spring/Summer 2010.
Image Use, New Yorker Magazine, November 16, 2009
Image use, Etapes Magazine, Paris (Mar. 2009)
Image Use, Adbusters,”Natural World/Virtual World” #6,Vol.17 (Nov/Dec. 2009).
Image Use, “As Is”, James Galvin, Copper Canyon Press (2009)
Image Use, “Mise En Place”, Margot Vanderstraeten, Ultgeverij Atlas (2009)
Image Use, FOCUS, Italy, December 2009
Image Use, New Yorker Magazine, March 2008
Image Use, Lettre, Special Anniversary Edition, June 2008
Image Use, Harpers Magazine, October, 2005.